Form of Indian Theatre
Like human emotions theatre has also various type of forms among which these are the famous and still exist in India. Today, I am going to talk about it.
Jatra
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Jatras
are traveling theatre groups which perform under the open sky. They are
essentially in the form of an opera with definite characteristics. -
It assumes different forms in different regions within the eastern parts of India, which include mainly the states of Assam, West Bengal and Orissa. Yatra literally means a procession or a pilgrimage from one point to another.
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Fairs in honour of gods, or religious rituals and ceremonies have within their framework musical plays are known as Jatra.
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This form was born and nurtured in Bengal.
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Jatras are usually epic four-hour-long plays, preceded by a musical concert often lasting an hour, used to attract audiences.
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Krishna Jatra became popular due to Chaitanya's influence.
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Later, worldly love stories too, found a place in Jatra.
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The earlier form of Jatra has been musical. Dialogues were added at later stage.
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The actors themselves describe the change of scene, the place of action, etc.
Bhaona
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It is a traditional form of entertainment, always with religious messages, prevalent is Assam, India.
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The plays of bhaona is popularly known as Ankiya Nats and their staging is known as bhaona
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cultural glimpses of Assam, Bengal Orissa, Mathura and Brindavan can be seen,
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The Sutradhaar, or narrator begins the story, first in Sanskrit and then in either Brajboli or Assamese.
Tamaasha
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Traditional folk theatre form of Maharashtra.
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came into existence in the early 16th century
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Evolved from the folk forms such as Gondhal, Jagran and Kirtan,
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Tamasha includes songs and dance along with the musical instruments like the Dholki, Drum, Manjira, Harmonium etc.
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Unlike other theatre forms, in Tamaasha the female actress is the chief exponent of dance movements in the play. She is known as Murki.
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Classical music, footwork at lightning-speed, and vivid gestures make it possible to portray all the emotions through dance.
Mudiyettu
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Traditional folk theatre form of Kerala is celebrated in the month of Vrischikam (November-December). -
It is usually performed only in the Kali temples of Kerala.
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It enacts the mythological tale of a battle between the goddess Kali and the demon Darika and depicts the triumph of goddess Bhadrakali over the asura Darika.
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In 2010 Mudiyettu was inscribed in the UNESCO's Representative List of the Intangible Cultural Heritage of Humanity.
Dashavatar
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Theatre form of the Konkan and Goa regions; -
Performers personify the ten incarnations of Lord Vishnu.
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Dashavatar performers wear masks of wood and papier mache.
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It personify the ten incarnations of Lord Vishnu – Matsya (fish), Kurma (tortoise), Varaha (boar), Narsimha (lion-man), Vaman (dwarf), Parashuram, Rama, Krishna, Buddha and Kalki.
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The Dashavatar performers wear masks of wood and papier-mache.
Yakshagaana
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Traditional theatre form of Karnataka;
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Based on mythological stories and Puranas;
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The most popular episodes are from the Mahabharata i.e. Draupadi swayamvar, Subhadra vivah, Abhimanyu vadh, Karna-Arjun yuddh and from Ramayana i.e. Raajyaabhishek, Lav-kush Yuddh, Baali-Sugreeva yuddha and Panchavati.
Kariyila
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Popular folk drama form of Himachal Pradesh. -
Most popular in the districts of Shimla, Solan and Sirmour.
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The season of Kariyala generally starts after the festival of Deepavali.
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It is an open-air theatre, which consists of an entertaining series of small playlets, farces, skits, revues and burlesques.
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It is generally staged during village fairs and on some festive occasions.
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The Kariyala entertainment starts in the evening and goes on throughout the night staging various popular items one after other.
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The square-performing arena is called Khada.
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In the centre of Khada, a bonfire is lit which is considered very sacred.
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A number of musical instruments like chimta, nagara, karnal, ranasingha, shahanai, basuri, dholak and khanjiri are used to provide background music.
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