Form of Indian Theatre

Like human emotions theatre has also various type of forms among which these are the famous and still exist in India. Today, I am going to talk about it.




Jatra
  • Jatras are traveling theatre groups which perform under the open sky. They are essentially in the form of an opera with definite characteristics.
  • It assumes different forms in different regions within the eastern parts of India, which include mainly the states of Assam, West Bengal and Orissa. Yatra literally means a procession or a pilgrimage from one point to another.
  • Fairs in honour of gods, or religious rituals and ceremonies have within their framework musical plays are known as Jatra.
  • This form was born and nurtured in Bengal. 
  • Jatras are usually epic four-hour-long plays, preceded by a musical concert often lasting an hour, used to attract audiences.
  • Krishna Jatra became popular due to Chaitanya's influence. 
  • Later, worldly love stories too, found a place in Jatra.
  • The earlier form of Jatra has been musical. Dialogues were added at later stage.
  • The actors themselves describe the change of scene, the place of action, etc.
Bhaona
  • It  is a traditional form of entertainment, always with religious messages, prevalent is Assam, India.
  • The plays of bhaona is popularly known as Ankiya Nats and their staging is known as bhaona
  • cultural glimpses of Assam, Bengal Orissa, Mathura and Brindavan can be seen,
  • The Sutradhaar, or narrator begins the story, first in Sanskrit and then in either Brajboli or Assamese.
Tamaasha
  • Traditional folk theatre form of Maharashtra.
  • came into existence in the early 16th century 
  • Evolved from the folk forms such as Gondhal, Jagran and Kirtan,
  • Tamasha includes songs and dance along with the musical instruments like the Dholki, Drum, Manjira, Harmonium etc.
  • Unlike other theatre forms, in Tamaasha the female actress is the chief exponent of dance movements in the play. She is known as Murki.
  • Classical music, footwork at lightning-speed, and vivid gestures make it possible to portray all the emotions through dance.
Mudiyettu
  • Traditional folk theatre form of Kerala is celebrated in the month of Vrischikam (November-December).
  • It is usually performed only in the Kali temples of Kerala. 
  • It enacts the mythological tale of a battle between the goddess Kali and the demon Darika and depicts the triumph of goddess Bhadrakali over the asura Darika.
  • In 2010 Mudiyettu was inscribed in the UNESCO's Representative List of the Intangible Cultural Heritage of Humanity.
Dashavatar
  • Theatre form of the Konkan and Goa regions; 
  • Performers personify the ten incarnations of Lord Vishnu.
  • Dashavatar performers wear masks of wood and papier mache.
  • It  personify the ten incarnations of Lord Vishnu – Matsya (fish), Kurma (tortoise), Varaha (boar), Narsimha (lion-man), Vaman (dwarf), Parashuram, Rama, Krishna, Buddha and Kalki. 
  • The Dashavatar performers wear masks of wood and papier-mache.
Yakshagaana
  • Traditional theatre form of Karnataka;
  • Based on mythological stories and Puranas;
  • The most popular episodes are from the Mahabharata i.e. Draupadi swayamvar, Subhadra vivah, Abhimanyu vadh, Karna-Arjun yuddh and from Ramayana i.e. Raajyaabhishek, Lav-kush Yuddh, Baali-Sugreeva yuddha and Panchavati.
Kariyila
  • Popular folk drama form of Himachal Pradesh.
  • Most popular in the districts of Shimla, Solan and Sirmour. 
  • The season of Kariyala generally starts after the festival of Deepavali. 
  • It  is an open-air theatre, which consists of an entertaining series of small playlets, farces, skits, revues and burlesques.
  • It is generally staged during village fairs and on some festive occasions. 
  • The Kariyala entertainment starts in the evening and goes on throughout the night staging various popular items one after other. 
  • The square-performing arena is called Khada. 
  • In the centre of Khada, a bonfire is lit which is considered very sacred. 
  • A number of musical instruments like chimta, nagara, karnal, ranasingha, shahanai, basuri, dholak and khanjiri are used to provide background music.

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